By Peter Mitham VANCOUVER – A city’s oldest buildings are among its greatest assets, giving it character and building continuity between past and present. Repurposing existing buildings also gives cities an opportunity to reinvent themselves, imagining a new future for themselves. This is as true for hotels as for other properties, and CHIL Interior Design […]
By Peter Mitham
VANCOUVER
– A city’s oldest buildings are among its greatest assets, giving it character
and building continuity between past and present. Repurposing existing buildings
also gives cities an opportunity to reinvent themselves, imagining a new future
for themselves.
This
is as true for hotels as for other properties, and CHIL Interior Design of
Vancouver has handled its share. It’s currently handling the makeover of the
Bessborough in Saskatoon in preparation for its relaunch this year within
Marriott’s Autograph Collection. It previously joined with five other firms in
designing rooms for Skwachàys Lodge in downtown Vancouver, an Indigenous arts-themed hotel
originally built in 1913 that operates as a social enterprise of the Vancouver
Native Housing Society.
“There’s
always that balance between respecting what was unique about it and bringing it
up to date with what people want,” said Adèle Rankin, principal and global
design lead with CHIL Interior Design, of the challenge older buildings present
for designers.
This
was certainly the case with the Hotel Belmont, a property built in the same era
as Skwachàys Lodge and with its own glamour-to-grit history, and now a
makeover.
“It
has a good history. It’s in a really exciting location in the bar district of
Granville Street,” Rankin said of the Belmont. “When Pacific Reach bought it,
they imagined it filling a void in the market.”
Pacific
Reach Properties, a venture of Azim Jamal and Joe Moosa, began as an offshoot
of the seniors’ lodging company Retirement Concepts. The partners began diversifying
their holdings beyond seniors residences in 2004 with the acquisition of the
280-room Sheraton Guildford Vancouver Hotel. Pacific Reach became its own
independent company in 2014.
With the sale of Retirement Concepts in 2017, the partners stepped up investment in other areas. One of its first acquisitions that year was the Belmont, then operating under the Comfort Inn banner. The property had originally opened as the Barron Hotel in 1912, and went through various incarnations over the years. It was once a notorious strip club known as the Nelson Place, and later as Fred’s Uptown Tavern, an early venue for crooner Michael Bublé.
Pacific
Reach engaged CHIL Design, the hospitality division of Toronto-based B+H Architects, to update the hotel’s interior
and position it for a new era.
Working
within the heritage footprint of the building and those of its 82 rooms – each
one between 250 and 300 square feet – the firm worked to find a way to bring a
combination of style, humour and an Instagrammable quality to the property.
“We
don’t have space to flex our design muscles and create all these different moments,
so we had to be mindful every step of the way to infuse it with personality and
charm,” said Rankin. “We ended up coming up with a concept that was about
making your mark.”
The project staked its claim to its location at the corner of Granville Street and Nelson with a mural on the external walls that clearly demarcated the food and beverage portion from the hotel portion (CHIL was charged with the hotel interiors, not the restaurant or lounge portion). The lobby features a variety of cartoon faces in the ceiling while a custom-designed X serves as a recurring motif in the carpet, on the walls and in the fabric of the curtains in each room.
“Small
moments throughout create a pause for people to really explore the spaces,”
added Rankin, noting the use of graphic tiles in the lobby ceiling as well as
heritage rosettes reclaimed during the renovation of the property.
The
small bathrooms of the original building have been decked out in bright white
tiles to give a sense of space and brightness, while the floor of the shower
reminds guests, “No diving.” A cartoon ostrich buries its head in the sand next
to the toilet.
While these add up to “little moments that make people smile,” according to Rankin, the room palette includes deep navy blue that lends a serious touch.
“The
design isn’t precious or soft in any way,” she explained. “The artwork
references the hey-day of the neon lights down Granville Street.”
While
the rooms feature custom-designed furniture in a Mid-Century Modern style, care
was taken to prevent the rooms from feeling cramped. The desk, for example, is
of a piece with an open-faced wardrobe; the lack of doors reduces the need for
space to swing them open. The in-room safe is in the bed box, a novel place
that Rankin said, achieves “two things with one design solution.”
The
property reopened last year as the Hotel Belmont as part of the Ascend Hotel
Collection, which has been expanding across Canada. Ascend is the boutique
hotel banner of Choice Hotels, whose portfolio also includes the Comfort Inn
brand.
Rankin
thinks the property will stand the test of time, which in the hotel industry
means seven to 15 years.
“We
do have to find a balance between creating something that’s going to be classic
and well-designed and chic enough but still be positioned correctly for the
demographic and the location,” she said.
The
current market, as speakers at last fall’s Western Canadian Lodging Conference
pointed out, calls for unique properties that will play well both to
travellers’ practical needs as well as their personalities and personas on
social media. The makeover of many older properties, from motels to older urban
hotels with chequered pasts like the Belmont’s, offer opportunities to capture
the attention – and business – of adventurous travellers seeking unique
experiences.“You’re getting an experience above all else,” Rankin said of the
Belmont. “We wanted to make sure that from the moment [guests] pulled into the
parking lot and saw the exterior of the building to the moment they walked in
the door and through the spaces to the rooms, that they were feeling a sense of
surprise and discovery.”
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